The World of American
Indian Dance
A one-hour documentary produced
by The Oneida Indian Nation in partnership with Sonny Skyhawk (Lakota)
and Dan Jones (Ponca) The first ever American Indian-produced
documentary to air on a major television network NBC, The World of
American Indian Dance introduces audiences to the beauty,
athleticism, and competitive spirit of American Indian dance. Actor
Peter Coyote provides a stirring narration. The Oneida Indian Nation is
a federally recognized Indian nation in Central New York.
Executive producer Dan Jones
says, “American Indian dance is this continent’s oldest cultural
tradition, with many of the country’s 550 tribes and nations hosting
gatherings commonly called ‘powwows,’ which are growing in popularity as
both cultural and sporting events. Some powwows boast attendance of
more than 50,000, such as Crow Fair in Montana, where we shot over 40
hours of dance footage and interviews.”
Against this historic and
spectacularly beautiful backdrop, the compelling story of America’s
first “performance artists” is told through dance. Throughout its
history, dance has fortified and sustained American Indians. It has
also been the prism through which age-old rivalries have been played out
and where such modern conflicts as progress vs. tradition; spirituality
vs. commerce, and independence vs. assimilation continue to be
dramatically expressed.
Traditional dance styles,
developed thousands of years ago, distinguish tribes from one another
and hold the key to tribal legacies. Whether inspired by revered
animals, sacred places, or belief systems, American Indian dances span
the gamut of human emotion and expression.
These beautiful, energetic dances
require the skill of an Olympic athlete, as powwow contestants must
adhere to rigorous protocols to win championships. Sports fans can look
at these dancers as the direct descendants of America’s ‘original home
team,’ carrying on a competitive tradition that dates back many
centuries.
Also explored in the documentary
is the clash of traditional vs. more modern styles of dancing and the
lifestyles that reflect each distinct approach. As in any culture,
young American Indians, to a certain degree, have abandoned the more
traditional dance styles, preferring less restrictive, more interpretive
dances including the Fancy Shawl Dance, the Jingle Dress Dance and the
Men’s Fancy Dance. Many tribal elders are wary over the more flashy and
secular aspects of the newer dances. But others point to the increased
attendance and participation of youth as a sign that the injection of
the newer dance forms is re-invigorating the American Indian dance
scene.

See the trailer here